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Catalogue > Masterprints

Artists from 16th century

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NB_01
Niccolo Boldrini
(1510 - ?)
Samson and Delilah,

after Titian, c. 1545.
Woodcut
31 x 49 cm
Condition: good
n.a.
Print also in FAMSF collection, see Boldrini. Prints of Boldrini, who was a pupil of Ugo da Carpi, are very rare. Some of his works, other woodcuts after Titian, are shown in the Uffizi galleries.

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MR_01
Marco Dente, called Marco da Ravenna
(Ravenna 1493 - 1527 Rome)
Skeletons,

after B. Bandinelli,
´In Roma Presso Carlo Losi 1773´.
Engraving
28.5 x 43 cm
Condition: good
n.a.
Bartsch XVII, also in FAMSF collection, see Marco da Ravenna. Printed on strong paper with clear platemarks and ample margins, old colouring added, some foxing in margins. 

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GB_01
Giulio Bonasone
(c. 1500 - 1576)
Jupiter, Neptune, and Pluto Dividing the Universe,

after Giulio Romano.
Engraving
20 x 26.5 cm
Condition: good
n.a.
Bartsch XXVIII (with discussion why this print attributed to Bonasone and not to G. B. Scultori), print of a series of four, showing ´the division of the Universe, where the three sons of Saturn receive their respective dominions´. Trimmed to borderline and mounted on strong paper. 


JS_01
Jan Sadeler
(Brussels 1550 - 1600 Venice)
Meridies,

after M. de Vos, signed in plate
´Joan Sadler sculp. et excud. M. de Vos figuravit´.
Engraving
15.5 x 25.2 cm
Condition: good
sold
Collectors mark ´Ex Bibl. Regis Berlin´ pasted over.  One thin spot, some brownish and dust stains, visible mainly on margins, overall good impression.


JS_02
Jan Sadeler
(Brussels 1550 - 1600 Venice)
Septentrio,

after M. de Vos, signed in plate
´Joan Sadler sculp. et excud. M. de Vos figu.´
Engraving
15.5 x 25.5 cm
Condition: good
sold
Collectors mark ´Ex Bibl. Regis Berlin´ in lower right corner. Short wrinkle from (original) printing in lower left part,  on corners laid down on carton, some light brown spots and dust, mainly visible on margins. 

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JM_01
Jacob Matham
(Haarlem 1571 - 1631)
St. Hieronymus,

after J. Arpinas,
signed in plate.
Engraving
26.5 x 20.5 cm
Condition: very good
170 €
Bartsch IV, from Four Saints. Trimmed  to borderline, on lower margin close to signature, and backed with paper.

Artists from 17th century

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GR_01
Guido Reni
(Bologna 1575 - 1643)
The Holy Family with Scriptural Scene in the Background.
Etching
21.8 x 14.8 cm
Condition: good
n.a.
Bartsch XL, first state print, cut to platemark. 


AJS_01
Andreas Jacobsz Stock
(1580 - 1648)
Portrait of Albrecht Dürer,
signed ´Stock sculpsit: F. de Wit excudit. 1629´.
Etching
22 x 16.6 cm
Condition: very good
 150 €
Print also in FAMSF collection, see Stock. On antique laid paper, trimmed close to platemark, verso collectors mark (v. FEDER). 

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AW_01
Anthoine Waterloo
(Lille 1610 - 1690 Utrecht)
Large Linden Tree in front of an Inn,
´Anthonius Waterloo invenit et fecit´.
Etching
22.7 x 29.2 cm
Condition: very good
 300 €
Bartsch II:104, signed lower left corner, numbered ´ 1´ (right corner), cut to border line, short tear on left side.

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JF_01
Jeremias Falck
(1619 - 1677)
Young man with feather hat,

after J. Schmuzer.
Engraving
15.3 x 13.5 cm
Condition: excellent
 n.a.
Clear impression on wove paper.

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JvO_01
Jan van Ossenbeeck
(Vienna 1624 - 1667 Rotterdam)
Diana Avenging Herself on Niobe for the Death of Her Children,

after J. Palma.
Engraving
27 x 26.2 cm
Condition: very good
 230 €
Bartsch VII. Left margin trimmed to borderline, other margins to platemark. An expressive print..

Artists from 18th century

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GBP_01
Giovani Battista Piranesi
(Venice 1720 - 1778 Rome)
1. Reliquiae Domus, 2. et Balnearum Sallustiniarum, 3. Pars reliquiarum murorum veteris Urbis,

Tab. XLII
signed ´Piranesi F.´
Etching
27 x 36 cm
Condition: good
n.a.
´Vide indicem ruinar num. 105.106.107.´   Printed on strong laid paper with clear platemarks and wide margins, paper slightly brownish.

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BR_01
Christian Bernhard Rode 
(Berlin 1725 - 1797)
Der Hausvater des Weinbergs.
Etching
18.7 x 23.6 cm
Condition: very good
 150 €
(Engl.: The father of the vineyard). Scene from the Bible (Mathew 20, 1-16): ...The first shall be last and the last shall be first. 


AR_01
Johann Anton Riedel
(Falkenau 1733 - 1816 Dresden)
Portrait of Rembrandt,

after Rembrandt 1633
signed ´A. Riedel del et fc. 1794´.
Etching
15 x 11.5 cm
Condition: good
 110 €
On left side laid down on carton. A very elaborately etched portrait of Rembrandt. 

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GV_01
Giovanni Volapto
(c. 1740 - 1803)
Non genitum, non uxorem, non caetera curat, Sed numerans solas curat auarus opes,

No. ´36´.
Engraving
25.2 x 30 cm
Condition: fair
 90 €
Text also in Spanish: ´A Codifia del dinero, Contar, conservar, y aver Haze que el avaro se olvide De su hijo y su mug´. Print of  a larger series with wide margins, esp. lower margins with water stains, in lower right corner handwritten remark. Still an impressive print. 

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JWM_01
Jakob Wilhelm Mechau
(Leipzig 1740 - 1808 Dresden)
Francesco fuori di Subiaco,

signed in plate ´Mechau fece Roma 1794´.
Etching
25 x 35.5 cm
Condition: very good
 240 €
Print from Mahlerisch radirte Prospecte aus Italien, on strong paper, trimmed to platemark.

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JWM_02
Jakob Wilhelm Mechau
(1740 - 1808)
Ponte Molle,

signed in plate ´J. Mechau fece Roma 1792´.
Etching
28 x 37 cm
Condition: good
 260 €
Print on strong paper, some old folding lines and some tiny holes, only visible with backlighting, sheet with ample margins.

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JFJ_01
Jean Francois Lagrenée (?)
(1725 - 1805)
 

 

Aquatint
21 x 46.5 cm
Condition: excellent
 450 €
Print on wove paper.   Six woman servants in antique dresses serving a sitting woman. Handwritten assignment on reverse to Janinet (Jean-Francois).

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LV_01
Jean Charles Le Vasseur
(Abeville 1734 - 1816 Paris)
Le Frilleux,

after Teniers,
by Beauvarlet (Paris).
Engraving
26.7 x 18.7 cm
Condition: very good 
 70 €
Text: ´Tant que l´HIver des ans, on peut braver les Frimats et la Bise; Ne glace point nos Sens, mes le peut-on quand on a barbe grise.´ Print on strong paper with wide margins.

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LV_02
Le Vasseur, Jean Charles
Le Faucheur,
after Teniers,
by Beauvarlet (Paris).
Engraving
26.2 x 19.7 cm
Condition: very good
 60 €
Text: ´Faucher est um metier bien rude, les reins surtout y travaillent d´autant, C´est je le dis, dut en rougir la prude, Ce qui force cet homme à cesser un instant.´ Print mounted on strong paper.

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LB_01
Philippe Le Bas
(1707- 1783)
Le Fumeur,

after Teniers
c. 1780.
Engraving
18.3 x 25.5 cm
Condition: very good
120 €
´A Paris chez J. P. Le Bas Graveur du Cabinet du Roy rue de la Harpe.´ Print on strong laid paper, wide margins.

Artists from 19th century

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JSCH_01a 
Johann Josef Schindler
(St. Pölten 1777 - 1836 Wien)
Three landscape etchings, 

all signed in plate 'J(oh) Schindler´.
3 Etchings
12x18, 10x15, 9x15 cm
Condition: very good
 240 €
Three small and very elabourate etchings of landscapes (see also JSCH_01b, JSCH_01c). Prints on velin paper with clear platemark. Schindler was a student of the Vienna Academy, became a member of the Academy in 1818 and is known for his landscapes... 

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JAK_01 
Johann Adam Klein
(Nürnberg 1792 - 1875 München)
In der Campagna bei Rom,

signed in plate 'Klein A. 1846´.
Etching
13.6 x 21 cm
Condition: very good
 130 €
Jahn 352 II. With wide (brownish) margins with some foxing, print crisp black and white.


JAK_02 
Johann Adam Klein
(1792 - 1875)
Carretiere di Roma,

monogrammed in plate ´JAK f. 1822´.
Etching
19.8 x 25.8 cm
Condition: good
n.a.
Jahn 257 II. Margins and upper right corner with some foxing. 

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JAK_03 
Johann Adam Klein
(1792 - 1875)
Römischer Karrenführer...,

signed in plate ´J. A. Klein  fec. Roma 1820´.
Etching
18 x 21.9 cm
Condition: excellent
 350 €
Jahn 248 I. Very good impression. 

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CAL_01 
Carl August Lebschee
(1800 - 1877)
Hector,

signed in plate ´nach Nat. gemalt und rad., 
CL München 1828´.
Etching
12 x 9 cm
Condition: very good
 130 €
Verso handwritten remark (Radirt ...) probably by Lebschee. On top mounted to thick paper and with other handwritten remark: ´Radirt 1828´. 

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CAL_02 
Carl August Lebschee
Four small prints on one leaf: Hector, two cats and little dog in three postions,
Hector signed in plate ´nach Nat. gemalt und rad.,
CL München 1828´.
4 Etchings
 sheet: 29,5 x 22,5 cm
Condition: good
 170 €
In lower part some foxing.

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JJV_01 
Jules Jacques Veyrassat
(1828 - 1893 Paris)
Les buveurs du cidre.
Etching
15.5 x 19.5 cm
Condition: very good
 90 €
Etching on wove paper, after own design of Veyrassat, monogrammed in centre left J.V.A, very picturesque scene. Slight browning in upper right due to old glue spot on back.

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AB_01 
Auguste Ballin
(1842 - 1880)
Vieux Ponton sur la Tamise,

signed in plate ´A. Ballin Del. Sculp.´
Etching
20 x 33 cm
Condition: fair
 90 €
Print also in FAMSF collection, see Ballin. Etching on strong paper with watermark, trimmed close to borderline, two short (backed) tears and one small section missing around outer part. Ballin lived for long time in London and painted and etched numerous impressive maritime motives.

Artists from 20th Century

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KB_01
Karl Bauer
(1868 - 1942 München)
Portrait of Ludwig van Beethoven,

signed in pencil ´Karl Bauer rad.´
Etching
32 x 23.5 cm
Condition: very good
 240 €
Print on cardboard with wide margins. Karl Bauer portrayed many famous people  in his very special lively style in the 1920s, his portraits are still widely appreciated. 

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KB_02
Karl Bauer
(1868 - 1942)
Portrait of Johann Wolfgang von Goethe,

signed in pencil ´Karl Bauer´.
Etching
32 x 23.5 cm
Condition: good
 210 €
Print on brownish cardboard with wide margins, these with some tears on outer part; image and print not affected.

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MF_02 
Michel Fingesten
(Butschkovitz 1884 - 1943 Italy)
Untitled (Mother and Child),

signed in pencil ´Michl Fingesten´.
Drypoint
33.5 x 26 cm
Condition: good
 n.a. 
Print on thin paper with wide margins watermark in lower left, some weak folding marks, probably repairable. Fingesten has received growing attention over the past years. Besides his large format prints he is known for his Exlibris (see Deeken and the Exhibition of the Regional Council of Friaul-Venetia).  Fingesten was persecuted in Nazi Germany and emigrated to Italy where he was interned... a couple years later. He died in 1943, short after the liberation from the prison camps by the Americans, under unknown circumstances.  

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MF_01 
Michel Fingesten
(Butschkovitz 1884 - 1943 Italy)
Untitled (A female nude and a monk)

signed in pencil 
´Probedruck, Michl Fingesten 1923´.
Etching
28 x 50 cm
Condition: good
n.a.
Print on carton with clear platemark, margins with some tears (one close to image border) and folding lines. 

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KH_01
Karl Holtz
(Berlin 1899 - 1978 Potsdam)
Untitled (An urban square),

probably in Berlin, 
signed in pencil ´Karl Holtz 1921´.
Etching
12.5 x 16 cm
Condition: very good
 240 €
Print on machine laid paper, with wide margins. Holtz was one of the most productive painters and caricaturists of the political left in the 1920s (see DHM) and worked for left newspapers, in 1933 banned from publishing. He deserted from the army in world war 2 , continued later working in East Germany. 

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LvH_01
Ludwig von Hofmann
(Darmstadt 1861 - 1945 Pillnitz)
Untitled (A scene with bathing nudes),

signed in pencil ´Ludw. v. Hofmann´.
(A second print from the same plate without signature but numbered is also available.)
Etching
20.7 x 27.2 cm
Condition: very good
 350 € 
Hofmann studied in Karlsruhe, München and München, later went to Paris and was influenced profoundly by the French art of that time, which was seen as scandalous by many.  He  was appointed as a professor in Weimar in 1903. Showing man and nature in harmonious unity against the backdrop of arcadian landscapes seems to be his leitmotif. In retrospect, the visionary character of his works become clearer, since he preceeded the later movement towards simplicity, truth and clarity of forms. (For more information see Ludwig-von-Hofmann-Archiv.)


EH_01
Ernst Haymann 
(München 1873 - c. 1947)
Untitled (A peasant plowing with two horses),

signed in pencil ´Ernst Haymann´.
Etching
29 x 38.7 cm
Condition: good
170 €
Ernst Haymann studied at the Munich Academy and became well known for his portraits and landscape motives often showing the hard labor of rural Bavaria. His works create a strong spatial perspective and capture the intensity of rural life.  Print on carton with old folding mark in left third, otherwise perfect. Wide margin only on lower side, otherwise trimmed to image line. 

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EH_02
Ernst Haymann
Untitled (A peasant saddlling two horses),
signed in pencil ´Ernst Haymann´,
monogrammed ´EH_M´ in plate.
Colour etching
30 x 39.5 cm
Condition: very good
280 €
Print on strong carton, with wide margins, a wrinkle? in upper, middle part wrinkle (probably) from printing, original colouring. An excellent example of Haymanns art.


JD_01 
Josef Diveky
(Hungary 1887 - 1951 Sopron)
Untitled (A pastoral scene with loving couples), 

signed in pencil ´Diveky 1917´
and monogrammed in plate.
Etching
37.5 x 27.5 cm
Condition: very good
 230 €
Etching in brown on strong paper, wide margins almost without faults, upper margin slightly shortened by a fold.  In the 1920s Diveky worked with the Wiener Werkstätten that were important in the Art Nouveau (Jugendstil) movement whose artists and artisans aimed at reintegrating art into daily life.  


PS_01
Pawel Steller 
(Hermanice 1895 - 1975)
In Jablunkau,

signed in pencil
´Orig. Holzschnitt In Jablunkau. P. Steller 1938´.
Woodcut
35 x 25 cm
Condition: very good
Print mounted on brownish carton. Steller portrayed people in his native region Silesia and neighboring regions in a style combining naive and expressionist elements, such elaborate works are rarely found as woodcuts. In Katowice a museum is dedicated to Steller´s work.

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PS_02
Pawel Steller 
(Hermanice 1895 - 1975)
Ukrainischer Imker,

signed in pencil
signed ´Original Holzschnitt. Ukrainischer Imker. 
P. Steller 1937´.
Woodcut
28 x 21.5 cm
Condition: excellent
n.a. 
Title in English: Ukrainian bee keeper. Print mounted on carton. The bee keeper is a typical work for Steller´s finely cut impressive prints.


WH_01
Walter Helbig 
(Falkenstein 1878 - 1968 Ascona)
Schmerzensmann 1918,

signed in pencil ´Schmerzensmann 1918, 
Walter Helbig´.
Woodcut
25 x 19.5 cm
Condition: very good
 
Print on Japan paper, with imprint ´ Die Schaffenden´ and handwritten designation ´gedr. F. Voigt´ (printed by F. Voigt), numbered ´50´. Wide margins (of which lower one has some defects) with light brown spots. Image shows Christ with a crown of thorns.  Helbig who had contact to the famous painters of the Brücke in Berlin in the early 1900s later was a co-founder of the artist group ´Der Moderne Bund´ in Switzerland. In his work he represents the early abstract cubist period with the expressionist style of the ´Brücke´ school.

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